Category: Blog

One of the difficult things about being in the video production industry is the need to buy new gear on the regular. This week on the Content Machine podcast, we’re talking about a game changing piece of equipment that you can add to your video toolkit.

Video gear is constantly evolving to better fill production needs, which means gear is either becoming higher quality or becoming more affordable for higher end gear. This is actually the reason we were able to break into the video space eight years ago. We happened to start at the magic moment when recording gear became really affordable for the first time. Gear cost was no longer a barrier to entry that it had always been. So, because gear is more affordable than ever, there is more competition than ever, and because there’s more competition than ever, the space is forever changing. We are always looking for an edge against our competitors. Bar none, the biggest edge that Adelsberger Marketing has is its videographers and editors. We have talented people that create amazing videos. It’s the creativity of the scripting, shooting, and editing that set apart any project. But with that being said, creatives need their tools, so we always stay on the lookout for new tools to bring into our inventory to allow our team to have more options for their creativity.

Fun fact, we even have a dedicated Slack channel so we can communicate and stay on top of all the new trendy tech. The day the Ronin 4D was released, we put in our order. We had no doubts it was going to be a game changer, and change the game it certainly has. The Ronin 4D is a best-in-class camera with every bell and whistle you can imagine on it. And we wanted to wait a while before we put out a review about it so that we could put it through its paces first. But this thing is the real deal. The quality of the video is top notch. Not just that it can record 6K or 8K, but the image coming from the sensor is crisp. With all the recording formats DJI has available, color grading is very flexible. But the capabilities of this camera are really what we’re here for. The three main capabilities to highlight today, stability, focus, and teamwork. While all three of these capabilities are not new to the camera industry, the Ronin 4D is unique because it has all the capabilities packaged together straight out of the box.

So, stability. Prior to this camera, we would need to take an extra time to set up our cameras on stabilizers and make sure the gimbals were balanced and ready. Also, we always had to make sure those stabilizers stay charged as well. The Ronin, having a built-in stabilizer, saves time and potential error and adds some additional upgrades to the stabilizing system. With the ground radar that is built in, it adds an extra dimension to our ability to stabilize a camera. The radar means I can run nearly at a full sprint and you can’t tell the camera is being carried by a human. It is wild how good this stabilization is. That also means we do not need to take time in post to stabilize or crop any of our footage in to hide stabilization issues.

The Ronin has an amazing autofocus and focus pulling system built into the camera. No more searching for a specific lens with focusing gears and having to have a second person waiting by to rack focus. On the fly, you can spin a dedicated wheel located right in the Ronin’s handle to change the focus point. Additionally, its facial recognition is ridiculously fast. In our testing and usage, its ability to focus is nearly instantaneous and very, very accurate, thanks to the camera literally using radar to read the scene.

Finally, teamwork. A native component of the Ronin 4D is the monitoring system and the secondary controls. This setup allows someone to support the camera operator with focus, exposure, and gamble controls. Sometimes with and talk shots, you need to be focused on not tripping or just keeping the subject in frame. This team method allows our operator to focus solely on safety while a second person can make the shot look perfect. The transmission speed and quality on the wireless monitor is crazy and it looks as good as it does on the camera. It can also serve as a great way for a client to watch along with us if they are concerned about certain shots.

Now, one thing I was concerned about is the battery life. We are using proprietary batteries and the inclusion of a built-in gamble. I wasn’t sure how the battery was going to hold up over the usage of the device. It has not been an issue. We get great battery life from the camera and with just a few extra swap outs, we have not had any issues.

The Ronin 4D has been an excellent addition to our toolset, and I would recommend it for any videographer looking to improve their stability, focus, and teamwork, and most importantly, anyone who’s looking to take up their production capabilities.

Thanks for listening to this episode of the Content Machine Podcast. We don’t normally do gear reviews here, so if you like this episode and you want more reviews like this one, drop us a comment and please let us know.

Our internship program has become a key strategic priority for Adelsberger Marketing. We talked about the why of an internship program in a previous episode of the podcast, but I wanted to talk about some of the hows that we’ve pieced together along the way that have led us to what I feel is a successful internship program.

The first point to note is consistency. At Adelsberger Marketing, we are going to hire interns to work with us through every semester, summer, spring, and fall. This allows it to become a pattern for us and part of our identity as our company. Also, by keeping it consistent, it allows us to keep learning from our internship program and to avoid becoming rusty at any point in the process. We get referrals from teachers. Building relationships with teachers allows us to get a better quality of student to apply for the program and to spread word about our program to more potential students. Another potential benefit is that it allows us to receive instructor recommendations about specific students that we may not pay enough attention to otherwise. Instructors know students way better than we’re going to get to know them through a series of interviews.

We treat them like adults, and some of them are. Our interns are all college students and likely late in their college experience as well. But not always. Some may be earlier in their college journey, but we try to focus on late college experience interns. We want to treat them like adults. Because of our remote working environment and the working style of our company, we all work somewhat independently, and so the interns do too. We try to communicate with them regularly and check in with them, but they are entrusted to go and do, to learn and to be successful through their own motivation. But we let them start with internal work. All of our interns start with an internal project. Internal projects give them a safe space to start working, both for their self confidence and for our trust in them. We have had interns in the past work on video editing for our company, editing our podcast, working on our onboarding materials, and working on branded slide decks. These types of activities give them a chance to prove themselves in a way that does not endanger our customers’ businesses and allows them an opportunity to make mistakes in a safe space.

After earning trust, we allow them to start working on additional projects, some of which may involve client work. As they earn trust and respect, they earn more responsibility. We want to be an environment, as one intern described, as safe and friendly. We want our team to treat them with respect, but also to give them the freedom to learn. Let them develop new skills in a situation that won’t result in a stressful situation if they make a mistake. Many interns who come to us are having to learn to do something differently from what they usually do, or are taking on their first public facing projects. There is no need to make this a high wire act for them. But we also want interns to be able to see multiple areas of the business. To help with relationships with the staff and allow them to see more of the world of marketing, we have each intern spend time with each staff member learning about their work and how they do it. This builds a relationship and exposes the students to new things. We use this later in the semester as well to see if students want to spend more time in different areas of the business.

And who knows, this could be their opportunity to learn about a role that they love that they never knew existed. We check in often with our interns. I put in an effort to talk with them directly every week or every other week to make sure that they have what they need and to see what they are learning. Being able to interface with leadership is an important way for interns to feel valued, but it also gives me a chance to make sure that we are doing a good job of supporting their learning experience. Sometimes there is a debate whether you should pay interns. You should absolutely pay interns. If you are not in a position to pay interns, even a small amount, you should reconsider starting an internship program. Maybe consider just having job shadow opportunities instead. Paying interns is fair because we expect them to produce some work for us. We also look for ways for them to help us beyond simply being around. Maybe it’s making a delivery or helping us on set. Pay your interns because it increases the commitment between both the company and the intern. A successful internship program is mutually beneficial to both the company and the student.

This should be the goal when you start your program. Think about what values you can bring to one another and how you can bring those values to fruition. With these thoughts in mind and a little bit of leg work, you’ll be on a good track to having a great and successful internship program. If you’re looking to start an internship program, I would love to just chat with you about that. Thank you for listening to the Content Machine podcast. Be sure to subscribe and share this with your friends if you found it helpful.

The internet is changing the way people read communications. Longer messages are less and less popular and likely going unread. So what can we do? And more specifically, what do we do when we have a lot to say but fewer words to say it in?

We can start by thinking about how to refine our communication to make it more friendly to modern readers, because while attention spans have dropped and the amount of information has exponentially increased, we still need to have our communications read and understood.

I noticed this being done well by one of my daily reads, the Nashville email newsletter. Axios, which if you don’t know, is an online publication specializing in the output of breaking news. They started branding their communication style with the term Smart Brevity. Then they released a book and a training on it, both using the title Smart Brevity. So if you’re interested in that, take a look. I think it contains some very helpful information for communicating in a world with modern readers. Being able to get the main point of your message across without cheapening it or leaving a vital detail out is a special skill. Smart Brevity tries to give a framework to make things shorter without making them shallower. Smart Brevity focuses on a few things. Structure of the content, focusing of the messaging, and prioritization of information.

Structuring of content in Smart Brevity has a lot to do with making the text more scannable. Instead of a wall of text like a classic newspaper article, you can break it up into short paragraphs using bold text for key thoughts and bullet points to make the information more accessible. Imagine if you could turn a one page story into 3 short 1-3 sentence paragraphs. This tactic would make it easer for the reader to decide based on those paragraphs whether or not they’re interested in reading the entire piece. That is the power of Smart Brevity.

Focusing on the messaging focuses you to acknowledge that more words are not always better and all the details are not often as relevant to the meaning of the story as others. A big concept here is to take the big idea of the piece and make it very clear. Even saying, “here is why this matters” or “here is the bigger picture” can help focus the attention of the reader.

Prioritizing information forces you to pull out key points. Sure, some thoughts might get left on the cutting room floor, but the important thing to think about is, what if trimming the excess is the difference between your idea being noticed or being forgotten? Smart Brevity allows a much greater opportunity for each person to at least see the idea that you’re trying to communicate. And from there, either move on, or if the topic or idea is relevant to them, to dive deeper and to click through to read the entire article.

I think it’s important to come to grips with the concept that not everyone is going to read your piece, and perhaps more importantly, no one is going to read your full piece. Would you rather the work be unread, or would you rather focus on getting the main idea out there and increasing the number of people who notice the work? Let’s not forget, if more people are noticing the work, more people are going to take time to read the whole thing. And as a marketer in 2023, I pick the second option every time. Smart Brevity, which clocks in according to the book’s front page, 28,002 words or 106 minutes of reading is a must read for anyone who communicates on the internet, whether that be internal communications or marketing communications. The book covers big ideas and gives you constant examples of how to implement its concepts. This is required reading for the writing staff at Adelsberger Marketing, and because of this, we hope it will help us shape our strategies for all of our clients going forward in 2023 and beyond.

Thank you for listening to the Content Machine podcast. If you found it helpful, forward it to a friend and stay tuned for future episodes.

Every company needs a website. And no, just a Facebook page will not do. Why? Well, Facebook is not a ubiquitous platform, meaning not everyone is on Facebook. Facebook can be helpful, but access can be limited to those without a Facebook account. A website is accessible to everyone with the Internet, and whether or not they are on a particular social media platform doesn’t matter. So what makes a successful website? A few things to consider. Clear messaging, clear information the customer needs, a clear call to action, a freebie, and testimonials.

Let’s start with clear messaging. Being able to position yourself with what you do for your customers is the first step to a winning website. We love the messaging thoughts in the book Story Brand by Donald Miller. Things like remembering that the customer is the hero in the story and you are there to help them, communicating the how of what you do for them, and setting the customer up for success. Most people care about the result of what you do for them, not necessarily the how. The classic looking for the sizzle, not the stake thought process. If you are not leading with clear messaging, you are wasting most of the effort of your website. Lack of clarity can distract or turn off customers.

Then consider what is the most pertinent information a customer might be looking for. That means if you are a church, your service times are not hidden somewhere on the website. They need to be easy to find. If you are a professional services firm, communicating what your specialties are needs to be easy to find. But also figuring out how to work with you or how to attend your event should be clear and easy as well. During the website planning process, we do an exercise that helps think from the position of the website visitors to think about what they need when they visit the website as opposed to what we want to promote. I would encourage the same for you. Take a moment and think about the biggest groups of customers that will be visiting your website and think about what they will be looking for when they come. Make sure that information is within a click or two of arriving.

A clear call to action. We call them CTAs in the business. Call to action. Customers need to know exactly how to start working with you. Is that a form to fill out on the website or do they have to call you? You should also make it easy for someone to do that. Make a clear CTA button relevant at multiple points on the website. Bonus points if you explain the process to getting started while they do that. You want to make it as clear as possible how to start doing business with you and what that looks like.

A freebie is a great way to build relationships with your audience. What is a freebie? Well, maybe it’s a free quote or a free assessment tool or a free guide. It’s a device that allows you to get some permission to communicate with potential customer and position yourself as the expert further in the minds of those who use the freebie. Ideally, this is something that can happen with automation or is something that is not horribly expensive for you to implement. It is a relationship builder, not a deal closer. It is a piece that helps you push people further down the funnel.

And finally, when thinking about a winning website, think about testimonials. Why testimonials? Well, they are what we like to call social proof. Social proof helps convert the skeptical. If someone is looking at your organization and unsure about signing up or contacting you, a testimonial can help silence some of the skepticism they have. Testimonials can be as low key as a featured client on your website, or as complicated as a video from someone who’s worked with you talking about how good it is to work with you. Having testimonials is a little bit of work, but once you have them, implement them on your website and think about including them in your social media and print materials.

Now, of course, this doesn’t cover some of the technical things a website should do. Maybe we’ll cover that in a future episode. But from a content standpoint, if you accomplish the above, you’ll be doing better than most of the people out there. Do you have a winning website? If not, you should think about giving us a call. At Adelsberger Marketing, we build winning websites every day. If you have a friend who needs website help, text them the link to this podcast. Thank you for listening to the Content Machine podcast and we hope to catch you on the next episode.

A few years ago, we started a very intentional internship program. Our goal was to have two interns a semester, every semester, fall, spring, and summer, even if we didn’t think we needed them at the time. We are going on our fifth consecutive semester of having interns, and I wanted to share some thoughts about it over two episodes. This episode, we will talk about the why of our internship program, and in a future episode, we’ll talk about the what and the how of successful internships. So why do we do internships and why will we continue this largely successful program? The top two reasons are community involvement and talent development. The first reason, and the most important reason is future talent identification and development. There are not many other scenarios in which you will get to see how someone works and fits in with your company culture before you truly commit to them. Internships are commitments for a semester alone. So, if they are a dud culturally or they don’t know how to work hard, you are not committed in the long term. You get to know people not just as a resume, as people. And this is a huge help in understanding whether they are a good fit culturally or not.

A bad hire can set a small business back months or years, and this is a good way to help minimize the risk. But you also get to find out what’s important to them and if you are a good fit for them. Some people will just take a job and then be unhappy because they’re not a good fit for the job. This is a disservice to everyone involved. And you get an idea of their talent. But not just their current talent level, you can really think about their potential and work towards helping them reach that potential in a way more flexibly than you could with someone that is hired as staff. Because of the cost of interns on the balance sheet, you can be way more flexible with their assignments and opportunities than a normal staff member. You are also able to train them in how you do business so that you get to have a hand in developing how they approach their work and their craft. And also importantly, it fulfills our mission. Part of our mission at Adelsberger Marketing is to have a culture that values our community. Internships are a great way to invest in your community. Most of our interns – 99% of them – come from local institutions or live locally. A good internship can help shape the future of a student by giving them real-world work experience that looks good on a resume and real-world skills that helps future employers see their potential. It can also help students think through what they want to do in life. Being able to fulfill our mission in this way is a great way to help our local colleges and universities fulfill their missions, and they have become great mutually beneficial relationships.

And while those are the two main whys that we do internships here at Adelsberger Marketing, here are a few more. Three times a year, Adelsberger Marketing gets to practice onboarding. In a firm our size, we might hire every year or every other year, which does not give us a lot of chances to perfect our onboarding practices. And without interns, every time we practice onboarding, it would be on a staff hire, which is a much more costly endeavor if we mess it up. With interns, we get to practice onboarding at least two people three times a year. This has given us a huge opportunity to dial in and constantly improve our onboarding process. When your onboarding process is good, it allows new folks to get a fast start to work and quickly align with company culture. Internships also allow us to grow our network of influence. Assuming all goes well, we just created six new advocates for our company every year. People whose lives we have had a positive impact on and will fondly think of us as they continue their career journeys. This added network can help us in a few ways. Referral for potential internships, so especially in the years surrounding their internship, they might point friends to us, which will help us grow our pool of potential candidates. But also, as they grow and are more successful, they might land a job that requires some outside contractors to complete some work. And we hope that means they’ll think about us.

Internships also help our staff develop leadership skills. Each of our interns spend time with all of our staff members, and this puts us in a position to help educate these students. And teaching is a form of leadership. Having to explain why and how you do your work helps you consider and internalize those ideas, which I think will make you more effective in those tasks. And depending on the intern, they may be largely assigned to a specific staff member for oversight. This gives the staff member a chance to work on things like instruction, direction giving, and delegation, things that in an organization of our size, they might not always get to work on.

And finally, it helps us deal with failure. We had one intern that was a failure, and there was co-fault there, and it gave us a chance to learn from it. And hopefully that intern was able to learn from it as well. But it’s helped us better select interns and better prepare future interns for success. I would encourage you to look at interns as an opportunity to better position your organization for success. There’s a good chance it will reveal your culture for what it really is, good or bad. And it can be a strain at moments, but the results are special. We plan to continue to do our internship program for as long as I’m running the company. An internship program is a test of your culture. It will help reveal some weak spots and push you to make your environment better for all the people that work in it. In the growing competition for talent, it is going to help you develop more and more opportunities to build relationships and secure talent. What is not to like?

If you need help thinking through an internship program or you have other questions, feel free to reach out. If you found this episode helpful, text it to a friend. Thank you for listening to the Content Machine Podcast.

Welcome to the Content Machine Podcast. This week, we are joined by Brittany Crockett, a member of the team at Adelsberger Marketing. She does a lot of our writing, and so we’re going to talk about a few things, trends in the writing space. Brittany, thanks for joining us.

Thanks for having me.

So, why is writing concisely or succinctly, depending on which synonym that you use there, why is that important?

Well, as humans, we tend to scan things. When we’re online, we just go as quickly as we can to find the information we want. The shorter it is, the better. Also with humans that are reading things, the vast majority of people are going to be at about a sixth to an eighth grade level reading. You have to write to that generality. You have to use… Don’t use a $10 word when you have a $1 word that works just fine. The shorter we can get things and the more simple we can get things, the better. Aside from that, before it ever gets to a human’s eye and to their mind, we’re writing to AI at this point because we have to get through the machines, through the SEO for it to ever make it to the person that we want to read what we’re writing. And so, for that AI to read that, it needs to be simple. It needs to be easy to read. And the more complex it is, the harder it is for the machines to read it.

And the easier it is for that machine to read it; the quicker Google is going to be able to see that that’s what people are looking for. So that’s a great point. A lot of people don’t think about… A lot of people think about the customers that are reading things, maybe not the machines that are reading things. Now, a lot of times when we have a website project, which is a lot of the writing that you do, you get tons of information from customers. So how do you turn that into something that’s usable?

Well, most people are writing a topic of their own, and so they have something they decide to write on, and it can be decently easy to keep that on track. With a lot of the things that I’m doing and that we’re doing is we have a lot of information that we’re distilling down. So, one of the things that I’ve learned to do is take all of that information and first thing I do is scan all of it and see what stands out immediately. What are the big points that like, this is interesting. I liked reading this. Somebody else might like it, too. Then I always start with more than I need. If I think I have enough information, I typically go back and say, I think I need a little bit more because you’re not going to use everything that you have. So, I go ahead and have more than I need so that I can cut out the things they might think are important but that aren’t or that I didn’t know were going to be important and needed. And then also, you have to learn to distill information, which is writing and rewriting and rewriting again, taking it down and realizing that when you have this big long paragraph, do you really need all of it? Are these five sentences, can you really say it in two? Usually, I take that and keep going down and down until I can get it as small as possible because it can almost always be said in a much simpler way. You hear less is more, and it really is true with writing because everybody’s busy. You don’t want to make people dig for information. You want to make it so simple that when they got through that website, they say, I wish everything was as easy to find as what I just read. Because when people are coming to a website or a social media page, anything, they’re trying to find something, and you want to make it as easy as possible for people to find that information they’re looking for. You don’t want to make them dig because you’ll lose them.

And you said something earlier about something that they’re wanting to tell versus what people are looking for. And I think that’s an important part to think about is, and you do this all the time for websites, is thinking about who is the person reading the website? Not just what the customer wants to say, what the website wants to say, but what are people actually looking for and then making sure that’s in the writing.

Right. Because sometimes those match up, but sometimes they don’t.

And sometimes we have to argue with clients about that, too. And so now, most people write from their perspective. So, when I’m writing these shows or I’m writing something, I’m writing usually from my own perspective because it’s my name on the door. So, the company’s voice is very similar to my voice. But you write for different companies, different accounts all the time. How do you manage switching that voice in and out?

Yeah. So, every company, person, client that we have is different, and we have a different relationship with each one of those clients. Each of those clients has a different relationship with their client. That’s going to show up in how we write for them and how their voice comes out because some of them are going to be super professional and formal. Some are going to be super casual. Some are going to be focused on being funny. It’s just how it reads. Sometimes there isn’t really even a word for exactly how they want to come across online in a written word, but you think about how you want to write for them as how you would be having a conversation with them in real life. I have to figure out how to translate that into a written format. For me, that involves looking at things that they’ve looked at in the past, so things they’ve liked and disliked, like websites, other social media accounts, and also participating in in person meetings and just hearing how they talk, hearing how they talk to us, hearing how they talk about their customers, and getting feedback early as well, because in those first weeks of a relationship with a client, those first weeks and months, we’re getting feedback on almost everything and making sure that what we’re saying is how they want it to be said. The longer that we have with a relationship with a client, we really learn how they like things said and how they want it to be said, depending on the situation, whether it’s talking about an event or just information or about a story, because even those things within a certain client looks different. We learn and relearn and add on to what we’re starting to say for that client and learn how to say it for them, the more we work with them.

So, if someone’s thinking about building their copy writing skill set or doing some copy writing, and I also think there is a difference between maybe technical writing or informational writing and copy writing, because copy writing is usually headlines and stuff like that, but they cross over. You’re going to end up doing both if you’re doing writing somewhere. Are there any resources that you can recommend for people?

Sure. So, one of the things that we’ve really implemented recently is Smart Brevity by Axios. In this book, it basically talks about the importance of being concise and brief, and it has a layout of how to write things. We’ve implemented some of that, but I think the concepts of it are really great. It’s a really good resource for how to think about writing those headlines and those short attention-grabbing lines. Another book that I know some of us have read was How to Write Copy That Sells. It’s by Ray Edwards. And though it does have a lot of typos in it, the actual information in the book is great. And it does have some good information about writing good informational copy. Another thing that we’ve really used at Adelsberger Marketing in the past few years is Story Brand by Donald Miller. We walk through that with most of our clients. And walking through that with clients, we have to do that internally and not just walk them through it. And by doing that, it helps us think about what story are we trying to tell for them. And so that is a great one to get you thinking about how to say things in a good way.

And a practical thing for me is having the Grammarly extension in Chrome. I’m a pretty good speller and I’m pretty good with grammar, but it keeps me making sure that everything’s done. It makes me think about, am I saying this the best way? Am I writing this in the very best way possible? And sometimes I overrule what it tells me to do, but it makes me question it and decide if I’m making the right decisions. And I think it’s a great thing for anybody, even if you’re not writing day to day, it’s still a great thing to have.

Well, Brittany, thank you so much for sharing your insight. And thank you all for checking out the Content Machine Podcast. Every week we try to provide you an episode that will add value to your business or to your leadership style. And so, subscribe to us. And if this episode is helpful, text it to a friend. Thank you for listening.

Welcome to the Content Machine Podcast. We are listening to the second part of our interview with Scott Williams today. If you haven’t heard the first half, go back in your podcast feed and listen to the first half.

We do a lot of marketing here, and that’s the main focus of this channel. When you think about your general philosophy of marketing for a museum, which you’ve had the opportunity to be involved in at a couple of different locations now, what is that? You had students come and be like, “How do we sell a museum?” Where are you going to start?

Yeah, you know what? It’s really no different than selling anything else. You have to have everybody who’s working on the project and or the product know who is the target audience, number one. What is your objective? What strategies are you going to use? And then what tactics are you going to agree to use? And then how are you going to measure those so you can evaluate through time? You and I have both been associated with organizations or with individual campaigns where it’s just all over the place, where you start off, maybe everybody starts off, but so easy to veer off target and end up just checking off boxes and doing things, posting on Facebook because you’re supposed to. But are you measuring the effectiveness of that? Now more than ever, we can’t afford to have people just randomly out there flailing posting things. We got to be targeted on all the things that we do during the day. Is this contributing to the plan we’ve agreed on? Now, you got to be flexible and be willing to change the plan, but verbally change the plan or in writing change the plan. That’s probably the biggest challenge for me, especially. If you throw a stick, I am excited to go chase it for you. And I get that constantly. People will throw sticks and say, Oh, look, here’s another fun, shiny, pretty stick. And so I have to really watch myself and keep myself real then because I’m leading a whole team. So it’s easy for me to say, “Hey, everybody, let’s all go get the stick.” Now, a lot of my direct reports will tell you that I still struggle with that very mightily. So anyways, it’s pretty much just like the other aspect of this that’s probably different than other projects or other products is that we have to be very much aligned in tourism with our state tourism departments. If there’s a local convention and visitors bureau, it’s very smart to take advantage of every opportunity to partner with those folks who are also trying to do the same thing you’re trying to do, but oftentimes with bigger budgets. They’re trying to get visitors into the state or into the city. And so it’s really important to support them, buy the ads if they need you to do whatever you got to do to support them and help them be successful at what they’re doing because it’ll just pay off for you.

All right. So that’s like a 50,000 foot view. What do you specifically do to get people in the door at Discovery Park? What has worked for you guys?

I think the challenge of Discovery Park is the value proposition is a little different for everybody. So it’s making sure that people understand the value proposition. We had an incident Friday night where somebody was here. I happened to be here for an event that we were having here, but somebody just came into the front door and she said, “We’re staying at the hotel next door. What is this place?” And so I was able to explain it. She was from Chicago and her and her mom and dad were here for UT Martin’s graduation. And so I thought, Well, this is an interesting experience. I need to be able to do this exact thing on a broad scale every day. And so seeing who she was and I gage, where are you from? And found out who she was, where she was from, figured out about how old she was. And I was able to tell her about how much fun Discovery Park is and focus on some of the areas she was interested in history. I was able to say, here are some of the things that we have here. So we really have to be able to be very flexible in how we present Discovery Park because you are going to want to bring your kids here because you want to give them an incredible experience that will help further their education and help further their impression of the world. But if you and your wife were in your mid 60s and your kids have moved away, you want a different experience. You want to know that you can come here and it’s not a children’s museum. So we have to be very careful that we don’t over emphasize some of the things we have for younger people. We want you to be able to come here. And then by the time you get in your 80s, you might not want to have to walk around a lot. So you want to know that there’s enough in just the building that we wouldn’t focus on the 50 acres to you. We want to focus just on the building. With teachers, we promote the fact, well, first of all, there’s the Kirkland Scholarship Fund. So if you’re a teacher and you want to bring your class here, but you know you can’t afford it, your school can’t afford field trips, Discovery Park of America pays the tickets of schools who 50 % or more are on the free or reduced lunch program. So you would probably fall into that category if you were worried about expenses. And so we would promote that. First of all, it’s free. And second of all, it’s legitimately changing lives. And so we would make sure you understand that as a teacher who cares about these students, bringing them here could literally put them on a different course. And we have lots of research at this point that we share of students who have written us back and said, Hey, that discovery part changed my life, and here’s how. And so each of those different target audiences, we know what the value proposition is, what they’re looking for, what are the hot points, and we make sure we focus on that when we promote. One size does not fit all.

And then same thing with our development initiative. So we have to raise money. As a 501 nonprofit, we do make money off of ticket sales and restaurant sales and merchandise. But that only covers about half of our expenses. And so we have to fundraise. And so you, as a person who’s a philanthropist who’s looking for places where you might want to support, if you’re from California, you’re probably not super passionate about supporting West Tennessee, Kentucky. But there are a lot of philanthropists who are. And so we try to get in front of them and show them, look, we’re making a huge difference. If you join us and come alongside us, we can make an even bigger difference. So we have people who love to support educational facilities, and they come to us and say, here’s what I’m passionate about. Here’s what I want to try to do at your facility. And we work with them to develop a program where their funds can also be applied to do things like what we do here.

That multifaceted approach, is that a lot different than maybe the Museum or Graceland? Or is it the nature of the Discovery Park that it is so diverse that it’s a different animal?

It’s very similar to the Museum, but it’s very different than Graceland because Graceland was not a 501 nonprofit. So the difference between working for a nonprofit Museum and a for profit Museum is in a for profit Museum, if it doesn’t work on the Excel spreadsheet, you probably aren’t going to keep doing it. You need to make a profit. You need to pay for things and then make a profit. In the nonprofit world, things, of course, need to return on the investment, but oftentimes at a deficit. And that’s okay because people want to fund initiatives. And for example, our exhibit on innovation in agriculture, it would not be as fantastic as it is without the contribution of our partners like Simmons Bank, Nutri and Ag Solutions. There’s a lot of folks that contributed. Same thing with our Waterfall exhibit. We have many, many financial supporters who are, because they’re giving us the money, we’re able to do this incredible exhibit. We would do an exhibit, but it would not be as mind blowing as this one’s going to be. And so that’s a very different model between the two.

What are some of the challenges? I particularly think about the rural nature of Union City. How does that affect what the Discovery Park is doing?

Yeah. Obviously, a town of 10,000 is not going to support 100,000 square foot museum on a 50 acre heritage park. So it’s really crucial. A lot of museums will look at their community, their town. If we were in Chicago, we would be looking at Chicago as the community we serve. For us, the community we serve has to be has to be much, much broader. So we’re serving Nashville, Memphis, Jackson, Paducah, in some cases, St. Louis, and even Louisville. So our backyard is much bigger and much broader. So we have to really focus much differently on those areas. And then I would say probably our number one biggest challenge is we don’t have a gigantic employment pool to draw from in the first place. And then when you’re in an era like we’re in now, where everybody’s struggling to fill positions, we struggle even more. So filling positions, I think, is one of our big challenges now. We’re very fortunate that we have UT Martin. It’s 20 minutes away and we really position ourselves. And it is true that we are a place where people who are either students or just graduated can see what work is like. And so my direct reports and myself, we really try to make this be a place where young people can see what work is like, where we can model good leadership and we can model what they can expect. I give a little speech at every one of our orientations where I say, look, if you’re a young person and this is your first job, it is sometimes difficult to know what is normal because you don’t have a bar. And so we work really hard to set that bar high and teach young people this is what’s acceptable, this is what’s not acceptable. And we say if you don’t know, ask us. If you want to ask me or you want to ask our HR director, or you want to ask your manager, that made me feel uncomfortable. Is that normal? And also there are situations where I or one of the managers will ask somebody to do something and the person pushes back a little bit. They didn’t understand the difference between college and work. And they don’t understand the difference between us as professionals and hopefully mentors and professors. We’re not professors. We’re wanting engagement. We’re wanting them to give us their opinion. We’re wanting them to almost be peers and to approach it that way. So while it’s challenging trying to find positions, trying to find people to fill positions, it’s also created a great opportunity for us to really be almost like College 2.0 for a lot of people. And then also we have some incredible retirees who say, you know what? I have worked now. I just want a place to come every day and be fulfilled. We have a lot of retirees who come and work here and they love working with the young people. So it’s created an opportunity where there’s also a bit of a challenge.

How is more abundant web experiences like YouTube and VR going to affect museums in the future, you think?

So of course, I am curious with AI and how all that all of the technology. For us in the museum business, I think we’re going to look at how technology can help us solve problems, which is how can we better tell stories or communicate information? Just a few minutes ago before I got on this phone with you, I was looking at a technological experience that one of the museum companies is offering for rent or for sale. And while it looked compelling and it looked interesting, it’s only something that could be done one at a time. And so it was one piece of equipment and one individual could do it. But I thought that’s not going to solve any… That’s just going to create problems for us because the museum business is always feast or famine. You’ll have 600 people one day and 60 people the next day and 6 the next. So we have to be able to accommodate any of those. And I’m afraid too many people would be extremely disappointed if they came and stood in line and never got a chance to actually do the thing. And then they spent all their time here. So technology and both online and in person, it’s just another tool. There’s a tendency for me to want to be in every single thing all at once and to do everything and to be great at everything as an organization. But I do think we’re entering an era where I think I would rather be good, really great at less and so maybe not be everywhere. So I don’t know exactly yet which areas we might shave off, but in some cases, we’re just going through the motions. And that’s what I think we want to shave that off. And we want to be really excellent. We have a great opportunity because I’ve got a building full of people who are experts in a variety of sectors. And so whether it’s biology or history, I’ve got people that are passionate and they love to talk about those things. So I have content that no one else has. And so it’s how do we best use that, that then results in somebody buying a ticket to Discovery Park of America. At the end of the day, that is my objective is to get people through that turnstile. Now, if I inspire children and adults to see Beyond online and they never have to visit Discovery Park, that’s great. But I really need to get them through that turnstile.

Yeah, for sure. Well, speaking of content, the Real Footforward podcast is a podcast that you guys produce there at the Discovery Park. Can you talk about the what and the why behind that?

Yeah, sure. As we mentioned, Discovery Park is in a town of 10,000, and so our backyard was very small. We saw Real Footforward, a West Tennessee podcast, as an opportunity to broaden that to get people in Jackson, Memphis, not quite as far as Nashville, but we stay focused on West Tennessee. There are people out there that are doing incredible things that line up with our mission to inspire children and adults to see beyond. So it was an opportunity to get those individuals, spend a little bit of time, get to know them, have our listeners get to know them. And we’re getting in the neighborhood of 3,000 listeners to each podcast, which is solid for us. I’d love it if it was 30,000. But I’m happy with that. It also helps introduce us to people that don’t know about Discovery Park, and I still get that. People from Memphis or Nashville or Jackson, I still get now, Who are you? Now, what are you? Are you a water park? There are still people who don’t get what we’re about. But if I invite you to be on our podcast, which I did, you’re going to, first of all, even if it’s at the last minute, you’re going to Google it real quick and make sure you understand now who am I going to be with here? You’re going to make sure you know who we are. And then once you’ve been on the podcast and had a positive experience and you’ve listened to it, you made sure it sounds good, you’re going to then share it on social media. You’re going to let all your friends know about it. And then that way we can take advantage of your social network and just get it one more circle out in circulation. Now, the hardest thing, as you know, is to stay consistent. It is so easy to run out of guests and be too focused on other things to get some more in the can. We really have had to make sure it’s a priority. A while back, we said, Well, let’s just do it every other week. And we did that. And then we said, No, let’s just re commit. Let’s do it every week. And it’s given us a return on the investment of my time and of our financial resources to put it together. And once we get it down, it’s easy to produce and it’s fun to listen to. And I’ve had a lot of people who have said to me, I listen every week. I love the guests you have. Because sometimes I’m in the middle of one and I’m like thinking, Is anybody going to think this is interesting? I hope so. I will because I think everything’s interesting. And so I think, Oh, my gosh, I hope people are into this. And so far, they always seem to be. And we seem to have a good listenership. And we have a lot of people who email us and ask questions about the guest or whatever. So it’s become a little promotional tool that we started off not knowing if it was going to work or not. And so now, I think we’re like three years going strong.

It’s a Lot of time to produce podcast. Most don’t make it that far. Well, speaking of longevity, if you were to paint a picture of the future of the Discovery Park, what would you be looking at?

I think that it’s time for me to do a new three year strategic plan for Discovery Park. And so we’re looking at that. Obviously, with… Well, not obviously. If you haven’t been here, you wouldn’t realize that we have 50 acres. And so we have enough here for people to literally spend three days doing. So we don’t want to necessarily expand outwards and add a thousand different things. We want to vary with a lot of strategy, enhance and improve the experience and make it… We have traveling exhibits that come every year. And so we want to make sure the quality of those stays significant. During COVID, a lot of companies that developed traveling exhibits put everything on hold. So the American Association of Museums conference is coming up in a couple of weeks. And so we’re going to go to that and try to find some really fantastic bodies and Titanic level exhibits that we can bring in in 2025. So I think it’s just continuing what we’ve learned and building upon that, making sure that we’re here for the people of this region to bring their kids. And we have a joke the other day, we have had a lot of people who met here, and then they had their wedding here, and then they have their kids’ first birthday parties here. And so I joke that maybe we need to have a cemetery so that we could literally be creolous grave here at Discovery Park. So we want to continue this great relationship we have with the people of this region and continue to serve.

Well, Halloween would be a lot easier than two play off each other really nicely. Well, Scott, I want to say thank you for your time. Appreciate you coming on and appreciate what you’re doing at the Discovery Park. It should be an anchor of West Tennessee for years to come, and leadership is going to be required for it to do that. Appreciate what you’re doing up there. If you guys are interested in the Discovery Park, where should they go to find out more?
Discoveryparkofamerica.com. And then go buy a ticket.

Absolutely. And you know what? I’m up there all the time. I’d love to say hello. So ask for Scott Williams and I’ll give you the little welcome spiel.

All right. Well, thank you, Scott, and we’ll talk to you later.

A few weeks ago, we talked about how company identity can build a competitive advantage and how culture eats strategy for breakfast. I wanted to take an episode to talk about our mission here at Adelsberger Marketing. The mission of Adelsberger Marketing is to make creative work that grows our clients businesses in a culture that values our team and community. So let’s break that down piece by piece here.

One, our mission. Our mission is our overarching component of what we do. And ideally, this is a statement that will never change. It’s an ongoing pursuit with no end date in mind. So we use this as a test to see if we are on track. At our annual meeting to review the year, I use these elements to help us show how our work is fitting into this, or it’s not. The first component there is is, “to make creative work”. Our goal is to make creative work here at Adelsberger Marketing. Not just any work, but creative work. As we move into a new world with artificial intelligence, true creativity will be the last bastion for creative services. But also in our industry, it can be tempting to make work that lacks creativity just to get a sign off from the client. But we believe that good ideas win the day. So we push ourselves and our clients to take the creative approach.

The next part is that, “it grows our clients businesses”. Creative work alone can be helpful or not helpful to a business. We want to channel our creativity in a way that benefits the businesses of our clients. If we are not good at helping build our clients businesses, we are not being useful to them, and that is not a good business strategy. In a culture, I chose to speak about culture in the mission statement because I know how important it is to our team and how important it is to making good work. We want to be the best place to work in West Tennessee, and a huge component of that is building a culture that people are attracted to. I love my team. I want to make their lives better. We respect each other’s time off. We respect each other’s input. We respect each other, period. And sometimes we lose together, but always we win together. I believe it is our people that give us the advantage over other agencies and other businesses in the area.So we wanted this mission statement to make it clear that that is a focus of ours.

We also included the community in the mission statement. I am not from West Tennessee. I am a transplant from Illinois. The community of West Tennessee has been so very welcoming to me, and has allowed me and my family to build a life here. I will always be grateful for that. And part of our mission is to value our community because we see that as core to our identity. We see being involved here, if that’s investment in boards, nonprofits, or our availability for job shadowing and internships, we seek to give back. And besides, because of the gratefulness of the welcoming community, I see that as part of my responsibility as a Christian. We have worked to make this mission statement sticky. It’s on the back of hoodies. It’s on stickers. We use it at our annual meeting. We cover it in onboarding. We want everyone on the team to understand it and work from it. I believe a few things about it. One, it’s the right thing to do. I think we have a moral prerogative to build this type of business. Two, it’s true of our company. I am fortunate that our mission statement lines up with who we are as a company, and it’s part of my job every day to make sure that that remains true. And it will give us a competitive advantage. A solid mission statement that is true and leads to a great culture is going to be a competitive advantage every day, all day.

So do you have a defined mission statement? Do you make it available to your team? Do you make that idea sticky? Do you help them learn it and live it out? Culture eats strategy for breakfast. Where is your culture flowing from? Thank you for watching this episode of the Content Machine Podcast. If you found it helpful, please text this episode to a friend, and we look forward to seeing you on the next episode.

Welcome to the Content Machine Podcast. Today, we have part one of a two part interview with Scott Williams from the Discovery Park of America. Our guest today is Scott Williams. He’s the President and CEO of the Discovery Park of America. Scott, thanks for joining us.

Hey, thank you, Kevin. It’s exciting to be on this end of the podcast recording.

Absolutely. I was a guest on Scott’s a few months ago and enjoyed reading one of your books and enjoyed coming to the Museum whenever I get the chance. So why don’t you give us a little overview about you, Scott?

Yeah, sure. So I am, I guess, on my LinkedIn, I think it says I am a museum professional. I see myself as being in the museum business. Although when you work for a museum, you’re also in the tour and travel and destination business. I originally majored in advertising with a concentration in journalism. I’ve got that backwards, journalism with a concentration in advertising from the University of Memphis and then worked for ad agencies and different companies in the in the marketing arena. Landed at Elvis Presley enterprises, where I was first really introduced to both the tour and travel business and running a historic destination. Fell in love with both of those two businesses and the way they intersect and ended up moving to Washington, DC, where I got to apply both of those two skills at the Museum, which was the Museum of the News and the First Amendment in Washington, DC. Got to work with some incredible people and learned a ton. But I never really got over being homesick for West Tennessee, which is where my people are from, as they say. Discovery Park of America’s President, Jim Ruppey, was about to retire and they were looking for somebody to run this incredible place.

One thing led to another, and I got the job and have been here now for five years.

Wow. Okay, so five years. And then you’ve written some books, so I want to give you a chance to plug your books real quick.

Yeah, thank you. Just as a hobby, I love to write. Several years ago when the internet was new and I was trying to learn it just like everybody else was, I saw genealogy research as a way for me to practice writing and practice using the internet and using the new tools that were out there for us as communicators to use. I was one of the first people on Blogger, which was how we blogged back in the day. And so I had a genealogy blog and ended up getting a website. And one thing led to another from that. And I ended up publishing a book about Richard Halliburton, who was an explorer, who was from West Tennessee. He was from the same town my people were from, which is Brownsville. And that led to several other books. And so my most recent book is about David Crockett. So anybody who’s interested about David Crockett can Google Scott Williams and David Crockett on Amazon, and my book will come up to the top. So it’s really added the whole opportunity to be able to self publish and to be able to not have to submit your work and go through a publisher and wait for approval and all that.

To be able to have the ability to publish a book that I think needs to be out there has really added a lot to both my life and career that I would encourage others who are listening, if they’ve got that book inside them, don’t wait for somebody else to do it, they can jump in and do it.

I read the Hal Berton book and it was fascinating and a part of history of Weston City that I have never come across. So that was very cool. Now I noticed I’ve always referred to him as Davy Crockett, but you very intentionally called him David Crockett. What’s the difference there?

Back then in real time, Davy Crockett was really an insult. He went by David Crockett. He was a congressman. And that was a way that people would minimize his opinions. So they would call him Davey as a a childlike reference to his name. But he never went by Davey. He always went by David Crockett. And of course, it was Disney who brought the Davey back up. And I guess Davey had a better ring to it. So it’s Disney’s fault that everybody now knows he’s Davey, Davey Crockett, King of the Wild Frontier.

Yeah. Well, when the mouse says something, everybody listens generally, right? That’s right. All right. So how do you get to be a museum director? Because that seems like there’s a lot of different career trajectories in life, but a lot of people don’t grow up being like, I can’t wait to be a museum director when I’m.

Growing up. Right. And what I found is almost 100 % of the jobs out there, very few people ever wanted to be that when they started out. And everybody’s path is completely different. In the museum world, typically, your executive directors are academics. Usually, they are typically going to be academics in the area that that particular institution represents. So if it’s the whaling Museum, the chances are good that the executive director is going to be a person who has a degree in whaling biology and has a PhD. In an art museum, it’s going to be somebody who has an art history, Masters, and then a PhD. So it’s usually very academic. My path was a little bit different in that, as I mentioned, I started off in marketing and PR and sales. My focus is usually everywhere I’ve worked, trying to get people to do what we need them to do, and that is to visit our institutions. So whether it’s Graceland or the Museum or Discovery Park, I have an emphasis on trying to get people here and trying to get people through the door because we can’t implement our mission unless we get people through the door.

So that usually takes up a lot of my day is implementing things that does that. So I think everybody’s career path is going to be a little bit different. And that’s what intrigued me about Discovery Park is if I wanted to work in a museum, the chances are because I don’t have an academic background in a particular area, I knew I was going to have to go to a museum that was unique. Now, the thing about Discovery Park that makes it so unique, and for people who’ve been here, they will understand this, but for people who are just hearing about it, when you work in the museum business, you often have to fill out forms and applications for grants and things like that. And they’ll want to know, what museum are you? And there will be a series of boxes, science, technology, art, history, transportation. The interesting thing about Discovery Park is there’s never been a box that I haven’t had.

To check. It’s all those things.

We are all those things. So it’s a children’s museum, an adult museum. And so it would have been impossible to find an academic who had an expertise in all those areas. So it just so happened that my eclectic background worked out well for this particular museum. But I’m not somebody who is going to be the executive director of the shed Aquarium in Chicago. That’s not going to make sense. Now, there is a part of this job that also relates to finances. You have to make sure that you’re running it responsibly and that you’re economically viable for long term growth. And so there’s part of that that I bring to the table. And then there’s also just the basic leadership. You’ve got a group of people who are trying to accomplish a common task. You just have to make sure that everybody’s rowing in the same direction. And then there’s problem solving and the things that anybody in charge of any business has to be responsible for.

Absolutely. Well, why don’t you tell us about the Discovery Park then? You mentioned the mission just a second ago. Maybe lead off with that.

Yeah. Another thing that sets us aside from most museums is our Genesis story. Robert Kirkland was a philanthropist here in Union City. A lot of people have heard of Kirkland’s stores. He and his cousin opened Kirkland stores. Robert Kirkland had a knack for being able to travel around the country and see a gigol and say, I bet I could reproduce this. A what? A gigol. Have you ever heard that word? No. It just means a product of some kind. So he could go and see a Vase and he could say, You know what? I bet I could have this Vase reproduced for two dollars, and then I could sell it for five. So he would import, have it manufactured overseas, import it, put it for sale. And he just had a knack for that because he got to travel around the world. He saw a lot of things. It really shaped who he became and how he approached the world. And so he was sad that there would be a lot of people in northwest Tennessee. And honestly, he was thinking more closer to home in Union City in Obion County. He knew there would be a lot of people who wouldn’t be able to travel around the world.

So they wouldn’t have those experiences that he had. They wouldn’t get to see some of the things that he had seen and the things that had meant so much to his life. So he was also a big jokester. He once wrote an article and had it put in the paper that he was working on a plan to move real foot Lake closer to Union City for economic purposes. And there were some people that believed him. So anyway, when he put an ad in the paper that said, I’m going to build a center for education in Northwest Tennessee, and I want you to help me, meet me at the library at this date and this time, and we’ll do it together. Well, a lot of people were like thinking, Is this another practical joke or is this legit? So surprisingly, for people who don’t know, Union City is a town of about 10,000. And O’Brien County has about 30,000 residents. Well, so that night at the library, more than 250 people showed up, which was really mind blowing when it’s hard to get 250 people to go to anything. That’s right.

Unless it’s a Taylor Swift concert.

Unless it’s a Taylor Swift concert. Right. So he divided the library into rooms and sections, and he put a piece of paper on the table that said transportation, science, history, drama, music, and marketing. And he said, go to the table that you’re the most interested in that subject. So people broke up and they went to their table and he said, You are now the committees. I want you all to work together and bring to me your recommendations for what you would put in a center of education in Union City. And so those people all worked together. Some committees worked more diligently than others, but everybody brought back the stuff. And then he took all of that to the museum professionals who then turned around and came back and made presentations to the group. Here’s what we would recommend. Here’s what we would do. His original budget was $30 million. There was a pause in the production when they had a changeover in architects. And so he took the money that he was investing and that he was going to put into Discovery Park, he invested it well. And by the time he was able to push the go button again, his investments had paid off and some other things had happened and he could invest $100 million.

So by the time it was done, he spent $100 million on Discovery Park and he was very specific. He wanted the best of every single thing, every aspect. He spared no expense. He wanted it to be the most incredible experience anybody could have. And as he said on opening day, and as I said, he was a jokester, but he said on opening day in front of everybody, he said, I hope this is the most fun that any of you all can ever have with your clothes on. So he absolutely made that happen. He was sick when they opened the doors when he cut the ribbon. He had cancer. And then he was able, however, to be there at the front door as the first busses of school groups came and kids piled out. He got to actually see Discovery Park being used and changing lives. So it’s a remarkable place with a remarkable story. I think one of my favorite things about Discovery Park is to stand up near the escalators because a lot of kids show up here from some of our more rural areas and have never seen an escalator. It’s their first time to see it.

It’s their first time to ride on one. And so that really shows you who we’re touching and how we’re helping. The escalators and the elevators and everything are in glass so that you can see how they work. So maybe we’re inspiring an engineer or two.

That’s awesome. And so what’s your favorite exhibit there?

I would have to say currently, my favorite exhibit is the one that we kicked off at this point. It’s been two years ago on innovation in agriculture because we did the same thing over again that Robert Kirkland did. And we put the word out, we’re going to create an exhibit on agriculture. What does it need to be? And we had a lot of focus groups with farmers, with Ag scientists, with Ag professors at UT Martin. We had one where we had all kids. We had a focus group where we just interviewed kids and said, What do you know about agriculture? And we just researched. And then we applied all that learning to the exhibit. And it was a million dollar exhibit. And it really, still today, is doing a great job of helping people understand why innovation in agriculture is so important. And it also gives you a real fun hands on experience, which is what we in the museum business, we want to inspire, but we want to do it in a fun, entertaining way. So now we are currently working on one called duck duck goose Waterfowl of the Mississippi Flyway. And that may become my favorite exhibit because we’re following the same pattern.

And it is so applicable, just like agriculture was very applicable to what we do here in Northwest Tennessee. Waterfowl of the Mississippi Flyway, one of the first things I did when I moved here five years ago is I’m seeing all these people putting sticks in their boats. And I’m like thinking sticks and leaves and stuff. And of course, now I know they’re disguising their boats so they can go duck hunting. But at the time, I thought it was such an odd thing to see. So it’s really going to be an exhibit that I think is going to help support everything that goes on here in visitors who come here to go duck hunting, I think you’re going to enjoy seeing it. But also just the spirit behind it has been really enjoyable to work with all the people who are excited. We’re partnering with Ducks Unlimited, and of course, there’s no better conservation organization than Ducks Unlimited. So it’s been a lot of fun. So I suspect that one opens in November. So I think it’s probably going to end up being my favorite.

Are you going to have Duck Hunter in there?

Are we going to have a duck hunter?

The game, the video game Duck Hunter.

You know what? We’ve actually talked about that. We’ve actually talked about that.

I know that’s in program one with West Tennessee fowl in it.

That’d be awesome. Right. We are going to have a real foot Lake style duck blind on our water here at Discovery Park. And people who have not duck hunted, which until recently that was me. But there’s a different style of duck hunting that is done on Realfoot Lake than what is done down in Arkansas or what is done up at the beginning of the Mississippi Fly away. So we’re really going to talk about the different styles that take place around the country and give people a chance to go actually sit in a duck blind and see what it feels like and see what it’s like. Here at Realfoot Lake, a lot of the duck blinds have refrigerators and stoves and they cook big breakfasts. And we’re probably going to have that. We’re not going to cook people big breakfasts. But people can get a sense for what happens in those blinds. And then also, the other confusing thing that we’re going to have people explore is the intersection between duck hunting and conservation. My wife is like, How does that make sense? They’re shooting the ducks out of the sky. How is that conservation? And so this exhibit is going to explore that.

How, if there weren’t duck hunters, there would probably be very few ducks remaining today as there are. So I’ve learned a lot during this process. And I think visitors are going to be like me and come in knowing nothing really about the whole topic and really learning a lot about it.

Very cool. Very cool. That concludes the first half of our interview with Scott Williams. Stay tuned in a few weeks, we’ll release the second half.

In a world of jobs, a workplace with purpose will count for more. Is there purpose in your workplace? I think this is something that will become more and more relevant to job seekers as the years go on. People want more than just a job. They want a place where they can thrive and align with the mission of the organization. A strong company has an identity, and a strong company with an identity is a competitive advantage. Why? Well, culture flows from identity. Who the company is, what it stands for is the start of a healthy company culture. Now, that’s not certainly all that there is to it, but it lays the foundation for where you want to go. And it’s famously said by Peter Drcker, Culture eats strategy for breakfast. The second reason why it’s important is identity will give someone something to attach to more than just a job. A company with a strong identity will attract people who seek purpose in their work. People who seek purpose in what they do are usually the best folks to have around. So if identity builds culture and helps attract and retain talent, what is it? Identity starts usually from the founder, but is frequently distilled into a few components, the mission, the vision, and core values.

The mission statement is what the company is here to do, not necessarily the how because the how can change, but the what and the why. These statements, if made properly, are short, memorable, will last decades. It’s not something you want to change every couple of years and will be something that you can work into all phases of an employment attention, training, onboarding, and really offboarding too. Vision is what the world will look like if your mission is successful. It is the future state that you might not ever get to, but it gives you a long term goal to look to. Core values are key components to building a workplace that is fulfilling the mission. This list of values can help you set your company apart and add to the character of your organization by encouraging certain behaviors among the team. So how do you go about implementing mission vision and core values? One, define them. If you’re the leader, this is your responsibility, but I encourage you to get feedback from your team and once they are solidified, write them down and make them available to others. Repeat it and make the idea sticky. Finding opportunities to repeat the mission statement, the vision statement, the core values will help it sink into the minds of those that are listening.

Repetition is important. And then make the idea sticky with graphics or mugs, shirts, hoodies. Making the idea sticky can help people remember what the statement is and help them reference it as they’re going through their working life. Make it part of the organization’s accountability. Use it as a structure for your annual report. Show the company how you use the mission statement to fulfill its goals this year. Allow your people to call you out for not following the core values. Reward those who do embody the core values. Make it a big deal. What’s measured is improved. Think about core values, mission, and vision this way. In an upcoming episode, we’re going to look at our company’s mission, vision, and core values. And if you want to talk about creating your company’s identity or making the ideas more sticky, shoot me an email. Thank you for listening to this episode of the Content Machine Podcast. If you found it helpful or interesting, please text it to a friend.